Clyde's Top 10+ Lists
of Political Culture
(Used in my classes or highly recommended/not
in
rank order)
- "Thank You for Smoking" by Christopher Buckley (a
lobbyist's
trials
and tribulations); also "Little Green Men," "God is my
Broker,"
and "No Way to Treat a First Lady" -- all good, political
satire.
- "Fair Play for Frogs" by Jerome Waldie and Nestle J.
Frobish (grassroots pressure
on an
important issue)
- "The Handmaid's Tale" by Margaret Atwood (contemporary
disutopia)
- "Darkness at Noon" and "The Gladiators" by
Arthur
Koestler
(slave revolts and show trials: the power and tragedy of revolutionary
ideology)
- "All the King's Men" by Robert Penn Warren (political
ambition and
corruption)
- "Bread and Wine" by Ignazio Silone (becoming a man of
the
people)
- "The Monkey Wrench Gang" by Edward Abbey (eco-warriors
or
tree-huggers?)
- "The Plague" by Albert Camus (fighting the good fight)
and "Candide"
by Voltaire (the best of all possible worlds?)
- "Jailbird" and "God Bless You, Mr. Rosewater" by
Kurt
Vonnegut
(social justice)
- "The Grand Inquisitor" by Fyodor Doestoyevsky (fear of
freedom)
- "Power and Powerlessness" by John Gaventa (three forms
of
political
power) and "Domination and the Arts of Resistance" by David C.
Scott
(forms of cultural resistance by the powerless to the powerful)
- "Public Opinion in America" by Jim Stimson (aggregate
public
opinion
over time) and "The Spiral of Silence" by Elisabeth
Noelle-Neumann
(why is it important to speak up)
- "Which Side Are You On?" by Thomas Geoghegan (union
busting in
the
Reagan era)
- "The Evolution of Cooperation" by Robert Alexrod
(computer
simulations
based on the prisoner's dilemma problem)
- "The Passions and the Interests" by Albert O. Hirschman
(intellectual
history of the concept "interest")
- "Collective Action and the Civil Rights Movement" by
Dennis
Chong
(game theory applied to the 1960s civil rights movement) and "The
Politics
of Authenticity" by Doug Rossinow (fascinating, insightful case
study
of 1960s student movement centered in Austin, TX)
- "The Myth of the Madding Crowd" by Clark McPhail
(theory
and research
on crowd behavior)
- "The Myth of Sisyphus" and "Neither Victims Nor
Executioners"
by Albert Camus (remaining moral in an absurd and violent world)
- "The Unconscious Civilization" by John Saul and "Achieving
Our
Country" by Richard Rorty (humanism in the 1990s and living up to
our
nation's ideals)
- "A Preface to Democratic Theory" by Robert Dahl
(minorities
rule)
- "A Man for All Seasons," "A Clockwork Orange" and
"Inherit
the Wind" (allegiance to law and authority??)
- "Dr. Strangelove" and "Fail-Safe"
(learning
to live and die with the bomb)
- "The Great Dictator" and "Caberet"
(Tomania,
Bacteria, and Germany)
- "Mr. Smith Goes to Washington, "Mr. Deeds Goes to Town,"
"Meet John
Doe" and "State of the Union" (Frank Capra's
view
of American politics)
- "Swept Away" [the original], "Bread
and Chocolate"
and "Breaking Away" (social class in Italy, Switzerland
and
Indiana)
- "Magic Town" (marketing
and public opinion)
- "Sullivan's Travels," "O Brother, Where
Art
Thou?,"
and "A Funny Thing Happened on the Way to the Forum,"
(the
examined life on screen: "tragedy or comedy tonight?")
- "Bob Roberts," "The Best Man," "A Face in the Crowd,"
"City
Hall,"
"Bulworth" and "The Candidate" (modern politics
or
"We ain't one-at-a-timin' here. We're MASS communicating!")
- "Marat/Sade" or "The Persecution and
Assassination
of Jean-Paul Marat as Performed by the Inmates of the Asylum of
Charenton
Under the Direction of the Marquis de Sade" (a retelling of
the
death of a leader of the French Revolution)
- "House of Cards," "To Play the King," and "Final
Cut"
(old FU plays political hardball on his way to #10 Downing Street) and "All
the President's Men" (unraveling the Watergate coverup)
- "Roger & Me," "TV Nation" series and "The
Big One" (corporate irresponsibility of the 1990s)
- "Harlan County, USA," "American Dream"
and "Live
Nude Girls, UNITE!" (unionizing of the 70s and 90s in the coal
fields of Kentucky, meatpacking plants of Minnesota and strip
tease
clubs of San Francisco)
- "The Battle of Algiers" and "In the Year of
the
Pig"
(fighting foreign occupation); and "Lagaan" (a
movie)
too
- "The Thin Blue Line" (capital punishment in the
1980s); and
anything by Errol Morris including "Gates of Heaven," "Mr.
Death," and "The Fog of War"
- "Other People's Money" (S&L crisis of the
1990s), "ENRON:
The Smartest Guys in the Room" (leading
the pack of corporate scandals in the 21st century) and Bill Moyers' Capitol Crimes (Jack Abramoff-Tom DeLay-Ralph
Reed-Grover Norquist axis of evil)
- "The War at Home" (anti-Vietnam War student
protest
of the
1960s)
- "Secret Government: The Constitution in Crisis" (history
of national security ending with the Iran-Contra scandal)
and "Manufacturing Consent" (Noam
Chomsky's analysis of the mass media) - "Huey Long" (Ken
Burns on the life and
assassination of the
"Kingfish")
- "Vote for Me!" (American campaign politics in the
1990s;
people "saving democracy"); and "The War Room," and "The
Perfect Candidate" (Bill and Ollie running for office)
- "Death in the Amazon: The Murder of Chico Mendez"
(defending
the Amazon rainforest)
DO YOU HAVE ANY SUGGESTIONS FOR THE LIST? E-MAIL
ME AND I WILL BE HAPPY TO CONSIDER LISTING THEM: Clyde,
here is/are my nominee(s)!