Maxine Hong Kingston

Chang, Hsiao-hung. "Gender Crossing in Maxine Hong Kingston's Tripmaster." MELUS 22.1 (Spring 1997): 15-34.

Furth, Isabella. "Beee-e-eeen! Nation, Transformation, and the Hyphen of Ethnicity in Kingston's Tripmaster Monkey." Modern Fiction Studies 40.1 (Spring 1994): 33-49.

Gao, Yan. The Art of Parody: Maxine Hong Kingston's Use of Chinese Sources. New York: Peter Lang, 1996.

Lin, Patricia. "Clashing Constructs of Reality: Reading Maxine Hong Kingston's Tripmaster Monkey: His Fake Book as Indigenous Ethnography." Reading the Literatures of Asian America. Ed. Shirley Geok-lin and Amy Ling. Philadelphia: Temple UP, 1992.

Maini, Irma. "Writing the Asian American Artist: Maxine Hong Kingston's Tripmaster Monkey: His Fake Book." MELUS 25.3-4 (Fall-Winter 2000): 243-64.

Shapiro, Elliott H. "Authentic Watermelon: Maxine Hong Kingston's American Novel." MELUS 26.1 (Spring 2001): 5-28.

Shostak, Debra. "Maxine Hong Kingston's Fake Books." Memory, Narrative, and Identity: New Essays in Ethnic American Literatures. Ed. Amritjit Singh, Joseph T. Skerrett, Jr., and Robert E. Hogan. Boston: Northeastern UP, 1994.

Smith, Jeanne R. "Rethinking American Culture: Maxine Hong Kingston's Cross-Cultural Tripmaster Monkey." Modern Language Studies 26.4 (Fall 1996): 71-81.

Suzuki-Martínez, Sharon. "Trickster Strategies: Challenging American Identity, Community, and Art in Kingston's Tripmaster Monkey." Reviewing Asian America: Locating Diversity. Ed. Wendy L. Ng, Soo-young Chin, James S. Moy, and Gary Y. Okihiro. Pullman, WA: Washington State UP, 1995. 161-70.